This picture provided by the Metropolitan Museum of Art shows the painting "Washington Crossing the Delaware" by Emanuel Gottlieb Leutze. It is one of the most iconic and enduring images in American art, dazzling visitors at the Metropolitan Museum of Art for more than a century. But the painting will be out of sight until 2011 as the artwork gets a touchup and an ornate new frame and its gallery undergoes a renovation.





Maria Patino works with others to restore a replica of the original decorative frame that once held the famous 22x12-foot painting. The frame weighs a few thousand pounds and takes up more than 250-square feet, almost as much space as a small Manhattan studio apartment.











Eli Wilner poses for a portrait as workers restore a replica of the original decorative frame that once held the famous 22x12-foot painting.














Workers restore a replica of the original decorative frame that once held the famous painting. This studio has been commissioned to recreate the original frame, which will replace the current plain frame when the painting, now undergoing restoration, goes back on view to the public at the Metropolitan Museum of Art in 2011.










Washington painting in NY gets new frame, touchup
By DEEPTI HAJELA

NEW YORK (AP) — The iconic painting that depicts George Washington crossing the Delaware River is getting even more dazzling. The plain frame that held the room-size painting is being replaced with an ornate recreation of its original.
A recently discovered photograph showing Emanuel Leutze's "Washington Crossing the Delaware" with an elaborate border during an 1864 exhibition inspired the Metropolitan Museum of Art to replace the plain frame.

The masterwork's current frame "minimized it," said Carrie Rebora Barratt, the Met's curator of American paintings and sculpture, although it's difficult to imagine how the painting, more than 21 feet by 12 feet, could be missed.

Leutze painted the masterpiece in 1851, depicting Washington and his companions crossing an ice-strewn Delaware River from Pennsylvania to New Jersey. Washington crossed the river on Dec. 25, 1776, in a surprise attack during the Revolutionary War.
Eli Wilner, whose company has made frames for the Met, was hired to recreate the original golden frame — an intricate and large project that takes up more than 250 square feet at Wilner's workshop in Queens.

Leutze had specifically ordered the original, which bore shields at each corner and was topped with an eagle crest and a ribbon that marked lines from George Washington's eulogy: "First in War, First in Peace, and First in the Hearts of his Countrymen."
In the world of frame-making, "this is by far the largest complex project that anyone's ever undertaken in America," Wilner said.

About 30 employees have been involved since the process began in November 2007. Wilner said an Ecuadorean carver, Felix Teran, spent nearly eight months creating the pieces for the crest.
Work continues on the new frame, as employees painstakingly apply clay to the shields or thousands of thin gold leaves to gild the wood.
Wilner and the Met wouldn't disclose the cost of the frame, but Wilner said anyone who wanted to repeat the effort could expect to pay around $800,000.
He expected to finish by the end of the March, but the frame would stay with the company for about two years while the Met renovates the American wing, where the painting has hung for decades.

As work is done to the gallery space, the painting has been moved to another section in its second-floor home because it's too big to fit into an elevator. Rolling it up — as it was transported to the museum more than a century ago — would cause damage.
Washington "crossed the Delaware, but we can't get him off the second floor of the Metropolitan Museum of Art," Barratt said.

While the painting awaits its new frame, Barratt said it also has been getting a touchup. Conservators Lance Mayer and Gay Myers removed grime and deteriorating surface paint from the canvas and added a layer of varnish, making the painting clearer and the colors brighter and deeper.

Barratt said the viewing experience would be "magnificent" after completion of the cleaning, the renovations and the new frame, which she said will have design elements that correlate to the details on the canvas.
"I just think Leutze knew what he was doing, that it's going to make sense compositionally in the way that a great frame should," she said.